Five Things to Know:
OnlyFans Got a Prestige TV Show
Margo’s Got Money Troubles premiered on Apple TV on April 15. Elle Fanning plays a single mom who turns to OnlyFans after losing her job at a theme restaurant. Nick Offerman plays her estranged pro-wrestler dad. Michelle Pfeiffer is her Hooters-waitress mother. Nicole Kidman is also in it. It has a 96% on Rotten Tomatoes.
The show does something most “sex work on screen” stories refuse to do: it treats the economics as the actual plot. Margo isn’t rescued. She isn’t punished. She does the math and makes a choice. The creator economy has been the subtext of prestige TV for a while. This is the first time it’s the text. The actual plot. More.
Brand play: If your brand targets women 18-34, watch this show before your next brief. The conversation around money, motherhood, and side hustles just got a new reference point. The brands that will get it right are the ones making content about the actual texture of being broke, not the aspirational version.
Tim Cook Announced He’s Stepping Down and Nobody Was Surprised
Tim Cook posted a letter on Monday saying he’ll step down as Apple CEO on September 1. John Ternus, the hardware guy, is gonna take over. Cook stays on as executive chairman. The stock dipped. Warren Buffett said something nice. The internet moved on in about four hours.
The interesting thing isn’t the transition. It’s the reaction. When Steve Jobs left, it felt like a cultural earthquake. When Cook leaves, it feels like a planned retirement. Apple under Cook became a $4 trillion company that nobody has strong feelings about anymore. The products are good. The keynotes are fine. The brand is stable in a way that makes it almost invisible. That’s a compliment and an insult at the same time. More.
Brand play: This is a case study in what happens when a brand outlives its founder mythology. If you’re a founder-led brand thinking about succession, study how Apple communicated this. The letter, the timeline, the chairman title. It was boring on purpose. Boring is what $4 trillion looks like when it’s managed well. Not every transition needs to be a narrative. Sometimes the best brand story is that there isn’t one.
The Artemis II Crew Held Their First Press Conference and They’re Famous Now
The four Artemis II astronauts sat for their first public Q&A on April 16, six days after splashing down. They flew around the moon and back. Victor Glover is the first Black astronaut to reach the moon. Christina Koch is the first woman. Jeremy Hansen brought maple cream cookies for the crew because he’s Canadian.
Commander Reid Wiseman said they were “shocked at the global outpouring of support.” They shouldn’t have been. The mission was the most-watched live event since the Super Bowl. Dazed ran a piece asking if anyone still cares about going to the moon. The answer, apparently, is yes. More.
Brand play: Space is interesting to brands again, and not in the way it was during the billionaire rocket era. This is government-funded, diverse, genuine exploration. Brands that align here should do it through the people, not the mission patch. A profile of Koch or Glover, a collaboration with an astronaut who actually went somewhere, a product tie-in that doesn’t feel like a screensaver from 1998. Be specific about which astronaut and why.
The White Lotus Just Cast Helena Bonham Carter and Set Season 4 at Cannes
HBO confirmed this week that White Lotus Season 4 is filming on the French Riviera, set during the Cannes Film Festival. Helena Bonham Carter, Steve Coogan, Chris Messina, and Max Greenfield are in the cast. The season’s theme is fame. Mike White satirizing the entertainment industry at Cannes is almost too on the nose, which is probably the point.
Meanwhile, the show’s cultural footprint keeps expanding without a new episode airing. The “Not Meant to Live an Uncomfortable Life” TikTok format, pulled from a Season 3 line, has become the go-to template for justifying small luxuries. Creators use it to defend everything from $7 lattes to business class upgrades. The show has become a permanent meme engine. More.
Brand play: If your product can be framed as a small, justifiable luxury, the “Not Meant to Live an Uncomfortable Life” format is sitting right there. This works for food brands, hospitality, travel, skincare, anything positioned as a treat rather than a necessity. Make the content with a creator who already uses the format. Don’t explain the reference.
Trump and Pope Leo XIV Are Publicly Feuding Over the War
The first American pope and the American president have spent the last two weeks going back and forth. Pope Leo called the war a “delusion of omnipotence.” Trump called him “weak on crime.” Leo said he has “no fear of the Trump administration.” Trump posted an AI-generated image of himself as Jesus healing the sick. A YouGov poll found 48% of Americans side with the Pope. 28% side with Trump.
This is not a normal news cycle item. The sitting president is in a public fight with the leader of the Catholic Church over an active war, and the Pope is winning the messaging battle by a 20-point margin. More.
Brand guidance: Do not touch this. Do not reference the Pope. Do not reference the AI Jesus image, even as a joke. Do not weigh in on the war, the ceasefire, or the diplomacy. This is the kind of story where any brand involvement, no matter how clever the social team thinks it is, ends badly. The only correct brand response to a president feuding with a pope over a war is no response.
If you’re new here, I write a monthly serialized novel called Everything is Advertising, about a burned-out Creative Director and his cynical team that accidentally create QAnon through a viral marketing campaign. If you like that kind of thing, you can start at Part One and catch up from there.
Every Wednesday, Open Woods tracks the cultural moments worth paying attention to. Curated weekly for brands that want to move first.
Every Friday, The Business of Advertising shares lessons from over a decade working on the front lines of advertising.
Every Sunday, Above the Fold breaks down what’s running in advertising, what’s landing, and what’s a total disaster.




